Wednesday, December 31, 2008

Learning Adobe Illustrator Without Losing Your Head

By Lynne Kramer

New users to Adobe Illustrator often complain that they find the program "fiddly" and frustrating. When we run Adobe training courses, we recognise that part of our job is rid people of this perception of Illustrator as a difficult program to use. We have identified three main elements to making people aware that Illustrator is no more difficult or frustrating than any other program.

The first thing is, we are always reminding new users of the ease with which you can change back your drawing to a state earlier than the point where it has gone wrong. Also, we constantly remind delegates that they must be on the right tool in order for a given operation is to work. As well as this, we give them an insight into the subtle and useful visual feedback provided by Illustrator as you create and manipulate elements within your drawing.

New users to Illustrator will often attempt to manipulate elements within their drawing without first activating the Selection tool. For example, they will create a shape with, say, the Ellipse tool and then, while the Ellipse tool is still active, they try to move or resize the shape they have just drawn or click on the page to attempt to deselect the shape. They then get puzzled and annoyed when little ellipses keep appearing in their drawing or Illustrator's shape dimension dialogue box keeps on appearing.

The key factor in avoiding these types of errors is to keep looking at the various signals that the program provides, in particular those signals relating to the cursor appearance. For example, if you are attempting to resize a rectangle, you can only do this when your cursor changes to a slanted line with an arrow at each end (This indicates that your cursor is now in the correct position).

Another thing that phases new Illustrator users is when they find they are unable to carry out a certain operation because it can't actually be done under the current set of circumstances or at that moment in time. For example, they might want to resize a shape and they end up rotating it or changing its position instead.

A simple way of avoiding this kind of problem is to keep an eye on the many visual clues that Illustrator gives you and, in particular, those that relate to the cursor. Let's take an example. Say you are attempting to change the size of a circle, you can only carry out this operation if your cursor has changed to a diagonal line with an arrow at both ends thus showing you that have positioned the cursor precisely over one of the resize handles.

If you have just started using a program like Illustrator, it is to be expected that you will make mistakes: things may go a little wrong or even get completely screwed up. The main thing is develop the "Undo reflex". For example, if you move an object by accident, don't try to manually put it back where it was, just choose Undo from the Edit menu or use the keyboard shortcut Control-Z (Command-Z on a Macintosh). If you Undo too much, you can use the Redo command to take you forward again. (The keyboard shortcut for the Redo command is Control-Shift-Z.)

If your effort to create a drawing has gone horribly wrong, the best thing to do is to bite the bullet and choose Revert from the File menu. This is a way of saying "OK, this isn't working. I give up!" The Revert command discards all of the changes you have made to the document since it was last saved and can be another useful way of avoiding unnecessary frustration. - 16738

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